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Tried, but treasured. If one bud doused in fire lit beneath that holy back arched up, undone, carousing; a slick oil sigh slighted; can bring bear to his knees... If beak-hand strung punched through, treaded thought-out and flung one tallon muted, one fear found, can tease his hairy back... Kond to buck. Strung to pluck. My own fresh desire, he says If one can padded, paddled, water weight and crusted create quiet and overtime at work on you and new to flounder filling kite the air in the deep dark light blind blown below by bellows be bright darkness, come to he... Tried, but treasured. If one bud doused in fire lit beneath that holy back arched up, undone...
Causes 04:33
It's about the time that I'd left alone for you, so use it. I am strong. Like the raging wind. oh... Cause me to shake, cause me to shiver, I will not break, take me in your hands. Told, but not there. Tall, but not seen. I am not brave, you'll not send me here. Cause me to shake, I am weak, and I bend. It's not like you don't have your friends around you. I am waiting for the only other crowd. It's not like you cannot see what I thought of you.
Nmbrs 03:26
The hand that strikes is not awake, And I'll be like my mother. But all the times you took away Well, I could be no other. You're cold... Far away a sea will roughly engage. I sail like I've been waiting for the page; But you don't know. You're cold, your eyes are leading And I'll be not decieving And rip the blood, The limbs from all you know; I'm going home. My home is in The deep dark din, The animals are rabid. And I will sit among my friends All fur and fright and frightened not. You're cold....
Ananke 01:52
Tie tight my apron strings, tie up my hair; He will come no longer to my door. Take off the tears adorning my fresh cheek alone, He will come around here no more. Oh the shame... I won't wait no longer for the day to break. The shame... No, I won't wait no longer for the dawn. Tie tight my apron strings, tie up my hair. This child which makes so much more today. They won't reach around my belly in only a few hours. So, here comes my tolling bell, to shame.
My eyes are open Though I climb above Oh enchanted for that sound and, I Will shadowed share you Forever be but, I'll not be silent, Though you sometimes chastise me. Oh, and I'll break Break your heart. And I'll take, Take you out of the known. In the far, far lake, The shiny-dim-dappled there Emerging a fin And my long white hair. I will break unsuspecting... You call my name And captured caught me So who's restrained? (Is it you is it me?) No-one...


Born of a curiosity of what it would sound like to make music across the Atlantic and part of continents either side. Step into homes 6,400km apart. Quiet moments, trams and winter; shared through wires.


released August 25, 2011

Barry Chabala (b.1961) - NJ guitarist taking cues from influences such as John Cage, Morton Feldman and Taku Sugimoto, Barry's music has continued to evolve, reduce, and focus, reaching ever closer to the essence of his intention. His work with composer Michael Pisaro has yielded several critically acclaimed recordings: ‘an unrhymed chord(for 25 acoustic guitars) for Confront Recordings, and ‘black, white, red, green, blue (voyelles)’ for Winds Measure, and most recently “Close constellations and a drum on the ground” with percussionist Greg Stuart and “Asleep, street, pipes, tones” with clarinetist Katie Porter on Pisaro’s own Gravity Wave label.

Gosia Winter (b.1982) - Polish born, Australian singer, musician and songwriter, Gosia Winter writes music strong in myth-like narrative and honesty. Her music has been described by reviewers as 'avant-folk', 'carefully crafted' and she is influenced by jazz, folk and experimental music.
Gosia works both as a solo musician and in collaboration with others, and has released her musical work internationally.


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Gosia Winter Australia

This is where I put up the music I have released. I live in Australia now, and I am waiting for the next phase of music making - the art of motherhood and teaching has been at the fore since 2012.

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